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Agatha Raisin Kissing Christmas Goodbye ar-18
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Agatha Raisin Kissing Christmas Goodbye
( Agatha Raisin - 18 )
M.C. Beaton
Agatha Raisin is bored. Her detective agency in the Cotswolds is thriving, but she'll scream if she has to deal with another missing cat or dog. Only two things seem to offer potential excitement: Christmas, and her ex, James Lacey. This year Agatha's sure that if she invites James to a splendid Christmas dinner, their love will rekindle like a warm Yule log...but that fantasy will have to wait for now. A wealthy widow--who sent Agatha a letter before her death saying one of her family intended to kill her--has been found dead. Now Agatha must set out to find the murderer, even though, in her heart, she's still dreaming of a white Christmas, just like the ones she and James used to know....
M.C. Beaton
Agatha Raisin
Kissing Christmas Goodbye
Book 18 in the Agatha Raisin series
2007
Unlike quite a number of people, Agatha had not given up on Christmas. To have the perfect Christmas had been a childhood dream whilst surviving a rough upbringing in a Birmingham slum. Holly berries glistened, snow fell gently outside, and inside, all was Dickensian jollity. And in her dreams, James Lacey kissed her under the mistletoe, and, like a middle-aged sleeping beauty, she would awake to passion once more...
Agatha Raisin is bored. Her detective agency in the Cotswolds is thriving, but she'll scream if she has to deal with another missing cat or dog. Only two things seem to offer potential excitement: the upcoming Christmas festivities and her ex, James Lacey. This year she is sure that if she invites James to a really splendid, old-fashioned Christmas dinner, their love will rekindle like a warm Yule log.
When a wealthy widow hires Agatha because she's convinced a member of her family is trying to kill her, Agatha is intrigued--especially when the widow drops dead after high tea at the manor house. Who in this rather sterile house, complete with fake family portraits, could have hated the old lady enough to poison her? Agatha sets out to find the murderer, all the while managing a pretty, teenage trainee who makes her feel old and planning for a picture-perfect Christmas, with James, all the trimmings, and perhaps even snow.
Chapter One
Agatha Raisin was bored.
Her detective agency in the Cotswolds was thriving, but the cases were all small, niggling and unexciting, and yet took a great deal of time to solve. She sometimes felt if she had to deal with another missing cat or dog, she would scream.
Dreams and fantasies, that cushion she usually had against the realities of life, had, to her astonished mind, disappeared entirely. She had dreamed so long about her neighbour and exhusband, James Lacey, that she would not accept the fact that she did not love him any more. She thought of him angrily as some sort of drug that had ceased to work.
So although it was only early October, she tried to fill her mind with thoughts of Christmas. Unlike quite a number of people, Agatha had not given up on Christmas. To have the perfect Christmas had been a childhood dream whilst surviving a rough upbringing in a Birmingham slum. Holly berries glistened, snow fell gently outside, and inside, all was Dickensian jollity. And in her dreams, James Lacey kissed her under the mistletoe, and, like a middle-aged Sleeping Beauty, she would awake to passion once more.
Her friend, the vicar's wife, Mrs Bloxby, had once pointed out that Christmas was to celebrate the birth of Christ, but Agatha's mind shied away from that. To her, Christmas was more Hollywood than church.
Christmas advertisements were already appearing on television, and supermarket aisles were laden with Christmas crackers, mince pies and puddings.
But something happened one crisp morning early in the month to take her mind off Christmas.
She was sitting in her office in Mircester, going through the files with her secretary, Mrs Freedman, wondering whether to handle another dreary job herself or to turn it over to one of her two detectives, Phil Marshall and Patrick Mulligan. Her erstwhile detective, young Harry Beam, was now studying at Cambridge, and Agatha missed his hard-working energy.
"I nearly forgot," said Mrs Freedman, "but this letter arrived for you. It's marked 'personal', so I didn't open it."
Agatha picked it up. The handwriting on the envelope was spidery and there was no return address. She opened it. She read: Dear Mrs Raisin,
I have learned of your prowess as a detective through the local newspapers and I wonder if you might find time to call on me. I think a member of my family is trying to kill me. Isn't the weather warm for October?
Yours sincerely, Phyllis Tamworthy
The paper was expensive. The address, in raised italic script at the top, gave the address of The Manor House, Lower Tapor, Gloucestershire.
"Nuts," said Agatha. "Barking mad. How are our profits?"
"Good," said Mrs Freeman. "It is amazing how grateful people are to get one of their pets back."
"I miss Harry," sighed Agatha. "Phil and Patrick don't mind the divorces, but they do hate searching for animals. They think it's all beneath them, and I think it's beneath me."
"Why don't you employ a young person to cope with the missing animals? A girl, perhaps. Girls are very keen on animals."
"That's a very good idea. Put an ad in the local paper and we'll see if we can get anyone. Say we want a trainee."
A week later, Agatha, after a long day of interviews, felt she would never, ever find someone suitable. It seemed as if all the dimmest girls in Mircester fancied themselves as detectives. Some had come dressed in black leather and stilettoheeled boots, thinking that a Charlie's Angel image would be appropriate. Unfortunately, with the exception of one anorexic, the rest were overweight with great bosoms and buttocks. Weight would not have mattered, however, if any of them had shown the least spark of intelligence.
Agatha was about to pack up for the day when the door to her office opened and a young girl entered. She had blonde hair that looked natural and pale-blue eyes fringed with thick fair lashes in a neat-featured face. She was conservatively dressed in a tailored suit, white blouse and lowheeled shoes.
"Yes?" asked Agatha.
"My name is Toni Gilmour. I believe you are looking for a trainee detective."
"Applicants are supposed to apply in writing."
"I know. But you see, I've just made up my mind to try for the job."
Actually, Toni had been lurking in the street outside for a good part of the day, studying the girls who came out after their interviews, examining their faces and listening to what they said. She gathered that no one had got the job. She deliberately calculated that if she turned up last, then a desperate Mrs Raisin might take her on.
But Agatha was anxious to get home to her cats and relax for the weekend.
"Go away and write your application," she said. "Send in copies of your school certificates plus a short description of why you think you might be suited for the job."
Agatha half-rose from her seat behind her desk, but sat down again as Toni said, "I have brought my school certificates with me. I am well educated. I work hard. People like me. I feel that is important in getting facts."
Agatha scowled at her. Agatha's way of getting facts was usually by either lying or emotional blackmail or outright bullying.
"It's not glamorous," said Agatha. "Your job will be to try to find missing dogs and cats. It's tedious work and you will often find that the animal has been killed on the road or has probably been stolen. When did you leave school?"
"Last June. I'm seventeen."
"Are you employed at the moment?"
"Yes, I work at the pharmacy counter at Shalbey's." Shalbey's was one of the local supermarkets. "I wo
rk the late shift."
"The difficulty is that I need someone to start right away."
"That's all right," said Toni. "I can get the sack."
"Don't you want to go to university?"
"I can't bear the idea of having a bank loan for my studies around my neck for years. Mrs Raisin, it would do no harm to give me a trial."
"I don't like the idea of you trying to get the sack. You'll be letting your employers down."
"There are plenty of girls to take my place. I think I am showing initiative. You cannot want a detective who plays by the rules the whole time."
Agatha realized how tired she was. Toni had a clear, precise manner of speaking, hardly ever heard in the local youth these days, where the glottal stop was considered de rigueur.
"All right. Report here on Monday morning at nine o'clock. You'd better wear flat shoes and clothes you don't mind getting messed up."
"How much will I be paid?" asked Toni.
"Six pounds an hour and no overtime while you are a trainee. But do well and I'll give you a bonus. You may claim reasonable expenses."
Toni thanked her and left.
"Odd girl," commented Agatha.
"I thought she was nice," said Mrs Freedman. "Quite old-fashioned."
Toni cycled to her home in one of Mircester's worst housing estates. She pushed her bike up the weedy garden path and propped it against the wall of the house. Then she took a deep breath and let herself in. Her brother, Terry, was sitting slumped in front of the television with a bottle of beer in one hand and a fish supper in the other. "Where's Mum?" asked Toni.
"Passed out," said Terry. Unlike his slim sister, Terry was a mass of bulging muscles. A scar from a knife fight in a pub marred his right cheek.
Toni went upstairs and looked in her mother's bedroom. Mrs Gilmour was lying fully clothed on top of the bed. An empty vodka bottle lay on the bed beside her. The air stank of sweat and booze.
Toni went to her own room and took off the suit she had borrowed from a friend. She hung the suit away carefully and then put on jeans and a clean T-shirt.
Downstairs, she took down a denim jacket from a peg on the wall and put it on. She opened the door and began to wheel her bike back down the garden.
Her brother appeared in the doorway behind her. "Where you goin'?" he shouted.
"Work. Late shift," yelled Toni. "Remember that stuff called work? Why don't you get yourself a job, you wanker?"
Agatha was about to put a packaged curry into the microwave for her dinner when the doorbell rang. When she opened her front door she saw her friend Mrs Bloxby carrying a box of books.
"These books were left after the sale at the church," said Mrs Bloxby. "They're the old greenand-white Penguin detective stories. I thought you might like to have them."
"Suits me fine. Come in and put them on the kitchen table. I plan a lazy weekend and you've saved me a trip to the bookshop."
Mrs Bloxby sat down at the kitchen table. Agatha looked at her friend with sudden concern. The vicar's wife seemed tired. The lines under her gentle eyes were more pronounced, and strands of wispy grey hair were escaping from the bun at the base of her neck.
"Let me get you a sherry," said Agatha. "You look worn out."
"Alf has a cold," said Mrs Bloxby. Alf was the vicar. Agatha always thought Alf was a stupid name for a vicar. He ought to have been called Peregrine or Clarence or Digby or something like that. "I've been doing the parish visits for him. Honestly, half of them don't even bother coming to church."
Agatha placed a glass of sherry in front of her.
"I don't suppose anyone's frightened of God any more," commented Agatha. "People like a good fright."
"Cynical, but true," said Mrs Bloxby. "Ecology is the new religion. The planet is dying, the poles are melting, and it's all your fault, you sinners. Did you get a girl for your dogs and cats?"
"I'm trying someone out. She's neat and clean and somewhat old-fashioned in her speech and manner. Odd, these days."
"You're always trying to brush against my boobs, you old perv," Toni was saying to the pharmacist, Basil Jones.
"There's not much space here," said Basil, outraged. "I was merely trying to get past you." Basil's anger was fuelled by the fact that he had deliberately brushed against her.
"You're nothin' but a sad old sack," said Toni.
Basil's face was now mottled with anger. "You're fired!"
"Okey-dokey," said Toni cheerfully.
"Have you heard from Mr Lacey?" Mrs Bloxby asked.
"No, he's gone off somewhere. Don't care. Though if he comes back in time, I might invite him to my Christmas dinner."
"Oh, no, Mrs Raisin! Not again!"
Agatha had previously had a disaster of a Christmas dinner when she had used the oven in the church hall to cook an enormous turkey, turned the gas up too high and filled the hall with acrid black smoke.
"It'll be perfect this time!" Both Agatha and Mrs Bloxby called each other by their second names, an old-fashioned custom in the Carsely Ladies' Society, to which they both belonged.
"It's only October," said the vicar's wife plaintively. "No one should be allowed to mention Christmas before the first of December."
Agatha grinned. "You'll see. I'll have it one week before, so it won't interfere with anyone's family arrangements."
Mrs Bloxby finished her sherry and rose wearily to her feet. "I'll drive you to the vicarage," said Agatha.
"Nonsense. I can walk."
"I insist," said Agatha.
The vicar was sitting reading a book with a box of tissues on a table beside him. "Hello, dear," he said faintly.
"How are you?" asked Agatha briskly. "Still very weak."
"Your wife is exhausted," said Agatha, "so I'm going to look after you and give her a break."
He looked at Agatha in horror. "There's no need. In fact, I'm feeling better by the minute."
"We can't have your wife falling ill with overwork, now can we?" Agatha gave him a wide smile but her small bearlike eyes were threatening. The vicar turned to his wife.
"Please go and lie down, dearest. I assure you I am now well enough to fix us a light supper. Mrs Raisin, your services will not be needed!"
"Alf, you're shouting," protested Mrs Bloxby. "Mrs Raisin was only trying to help."
Agatha drove back to her cottage with a grin on her face. Men, she thought. Typical. Women get colds and men get flu.
After dinner, she took the box of books through to her sitting room. She selected a detective story by Marjorie Allingham and began to read. The next day, she chose one by Edmund Crispin and followed that up with one by Freeman Willis Croft. She was fishing in her handbag for her cigarettes when her fingers touched an envelope. She drew it out. It was that odd letter from Mrs Tamworthy. Agatha, her mind full of detective stories, reread the letter with new eyes.
What if the threat to this woman were real? Perhaps she would be invited to stay. Mrs Tamworthy would be an elegant silver-haired aristocratic lady. She would have a plump, pompous son with a bitchy wife. Her daughter would be the gruff, hunting sort who had never married. She would have one fey granddaughter, very beautiful, engaged to an actor; and another granddaughter, a straightforward no-nonsense girl who was secretly in love with the actor and--
The telephone rang shrilly, interrupting her fantasy.
The call was from Roy Silver, a young man who had once worked for Agatha when she had owned a public relations firm.
"How's things?" asked Roy.
"Cruising along. What about you?" Roy now worked for the public relations firm that had bought Agatha's business.
"I'm pushing a new perfume. It's called Green Desire. It's made by an Irish company."
"Any good?"
"I'll bring you a bottle." There was a pause. "As a matter of fact, I took the liberty of driving down."
"Where are you?"
"Round the corner."
"Come along, then."
Agatha went to her fr
ont door, opened it and waited for Roy. It was unlike him to arrive unexpectedly. He always wanted something. He was probably having trouble with the Green Desire account.
Roy drove up, got out, opened the boot and dragged out a large suitcase.
"Going somewhere on holiday?" asked Agatha.
"Here, if you'll have me, sweetie."
"Roy, wait a minute. This is a bit of an imposition."
To her horror, Roy burst into tears. His thin body in his Armani suit shook with sobs, and tears trickled down through his designer stubble.
"Bring that case in," ordered Agatha, "and I'll fix you a stiff drink."
She told him to leave his case in the hall, led the way into the sitting room and poured him a strong measure of brandy from the drinks trolley. "Here, get that down you," she ordered. "Don't wipe your nose on your sleeve. There's a box of tissues on the table."
Roy sank down on to the sofa. He blew his nose vigorously, took a swig of brandy, and then stared miserably into space.
Agatha joined him on the sofa. "Now, then, out with it."
"It's been an Irish nightmare," said Roy. "I'm all broken up. I've handled nasty drug-ridden pop groups and prima-donna models, but never anything like this."
"Who's producing the stuff? The IRA?"
"No, it's a Dublin fashion house called Colleen Donnelly. They decided to launch into the perfume market. They wanted it pushed as a 'family' perfume, the sort of thing you could give to your old granny. So the publicity shots were taken in various front parlours out in the bogs with gran, mam, dad and the kids. It's been going on for months. I am awash with tea and boredom. I thought if I had to listen to someone's uncle stand in front of the fire and sing 'Danny Boy' just one more time, I would scream."
"Should have been a joy to promote," said Agatha. "Sounds as if it would lend itself to some good photos for the glossies."
"Oh, I got them a good show. It's not that. It's Colleen Donnelly herself. She isn't Irish. She's from Manchester. Real name, Betty Clap."