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The Highland Countess




  M. C. Beaton is the author of the hugely successful Agatha Raisin and Hamish Macbeth series, as well as a quartet of Edwardian murder mysteries featuring heroine Lady Rose Summer, several Regency romance series and a stand-alone murder mystery, The Skeleton in the Closet – all published by Constable & Robinson. She left a full-time career in journalism to turn to writing, and now divides her time between the Cotswolds and Paris. Visit www.mcbeatonbooks.co.uk for more, or follow M. C. Beaton on Twitter: @mc_beaton.

  Titles by M. C. Beaton

  The Poor Relation

  Lady Fortescue Steps Out • Miss Tonks Turns to Crime • Mrs Budley Falls from Grace

  Sir Philip’s Folly • Colonel Sandhurst to the Rescue • Back in Society

  A House for the Season

  The Miser of Mayfair • Plain Jane • The Wicked Godmother

  Rake’s Progress • The Adventuress • Rainbird’s Revenge

  The Six Sisters

  Minerva • The Taming of Annabelle • Deirdre and Desire

  Daphne • Diana the Huntress • Frederica in Fashion

  Edwardian Murder Mysteries

  Snobbery with Violence • Hasty Death • Sick of Shadows

  Our Lady of Pain

  The Travelling Matchmaker

  Emily Goes to Exeter • Belinda Goes to Bath • Penelope Goes to Portsmouth

  Beatrice Goes to Brighton • Deborah Goes to Dover • Yvonne Goes to York

  Edwardian Candlelight

  Polly • Molly • Ginny • Tilly • Susie • Kitty • Daisy • Sally • Maggie • Poppy • Pretty Polly • Lucy • My Lords, Ladies and Marjorie

  Regency Candlelight

  Annabelle • Henrietta • Penelope

  Regency Royal

  The Westerby Inheritance • The Marquis Takes a Bride • Lady Anne’s Deception • Lady Margery’s Intrigue • The Savage Marquess • My Dear Duchess • The Highland Countess • Lady Lucy’s Lover • The Ghost and Lady Alice • Love and Lady Lovelace • Duke’s Diamonds • The Viscount’s Revenge • The Paper Princess • The Desirable Duchess • The Sins of Lady Dacey • The Dreadful Debutante • The Chocolate Debutante • The Loves of Lord Granton • Milady in Love • The Scandalous Marriage

  Regency Scandal

  His Lordship’s Pleasure • Her Grace’s Passion • The Scandalous Lady Wright

  Regency Flame

  Those Endearing Young Charms • The Flirt • Lessons in Love • Regency Gold • Miss Fiona’s Fancy • The French Affair • To Dream of Love • A Marriage of Inconvenience • A Governess of Distinction • The Glitter of Gold

  Regency Season

  The Original Miss Honeyford • The Education of Miss Paterson • At the Sign of the Golden Pineapple • Sweet Masquerade ?The Constant Companion • Quadrille • The Perfect Gentleman • Dancing on the Wind • Ms. Davenport’s Christmas

  The Waverly Women

  The First Rebellion • Silken Bonds • The Love Match

  Agatha Raisin

  Agatha Raisin and the Quiche of Death • Agatha Raisin and the Vicious Vet

  Agatha Raisin and the Potted Gardener • Agatha Raisin and the Walkers of Dembley

  Agatha Raisin and the Murderous Marriage • Agatha Raisin and the Terrible Tourist

  Agatha Raisin and the Wellspring of Death • Agatha Raisin and the Wizard of Evesham

  Agatha Raisin and the Witch of Wyckhadden

  Agatha Raisin and the Fairies of Fryfam • Agatha Raisin and the Love from Hell

  Agatha Raisin and the Day the Floods Came

  Agatha Raisin and the Curious Curate • Agatha Raisin and the Haunted House

  Agatha Raisin and the Deadly Dance • Agatha Raisin and the Perfect Paragon

  Agatha Raisin and Love, Lies and Liquor

  Agatha Raisin and Kissing Christmas Goodbye

  Agatha Raisin and a Spoonful of Poison • Agatha Raisin: There Goes the Bride

  Agatha Raisin and the Busy Body • Agatha Raisin: As the Pig Turns

  Agatha Raisin: Hiss and Hers • Agatha Raisin and the Christmas Crumble

  Hamish Macbeth

  Death of a Gossip • Death of a Cad • Death of an Outsider

  Death of a Perfect Wife • Death of a Hussy • Death of a Snob

  Death of a Prankster • Death of a Glutton • Death of a Travelling Man

  Death of a Charming Man • Death of a Nag • Death of a Macho Man

  Death of a Dentist • Death of a Scriptwriter • Death of an Addict

  A Highland Christmas • Death of a Dustman • Death of a Celebrity

  Death of a Village • Death of a Poison Pen • Death of a Bore

  Death of a Dreamer • Death of a Maid • Death of a Gentle Lady

  Death of a Witch • Death of a Valentine • Death of a Sweep

  Death of a Kingfisher • Death of Yesterday

  The Skeleton in the Closet

  Also available

  The Agatha Raisin Companion

  The Highland Countess

  M. C. Beaton

  Constable & Robinson Ltd.

  55–56 Russell Square

  London WC1B 4HP

  www.constablerobinson.com

  First electronic edition published 2011

  by RosettaBooks LLC, New York

  This edition published in the UK by Canvas,

  an imprint of Constable & Robinson Ltd., 2013

  Copyright © M. C. Beaton, 1981

  The right of M. C. Beaton to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988

  All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

  This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, or to actual events or locales is entirely coincidental.

  A copy of the British Library Cataloguing in

  Publication Data is available from the British Library

  ISBN: 978-1-47210-137-2 (ebook)

  Cover copyright © Constable & Robinson

  For

  Howard Lewis

  Contents

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter One

  The newly wed Countess of Murr had not, as yet, read any novels or poetry and she had not—as yet—fallen in love… which was perhaps just as well.

  Morag had celebrated her seventeenth birthday shortly before her wedding to the earl. The earl was fifty-four. She was a true Highland beauty with thick, curly, dark-red hair and a creamy complexion. There are two types of redheads in Scotland. One is the more sandy-haired variety which goes with a pale, freckled complexion and light eyelashes. The second category, to which Morag belonged, has hair of a red which is almost purple in tone and has all the beauty of a flawless complexion and vivid eyes.

  Her eyes were of a particularly intense blue and were fringed with heavy black lashes. Such notables as His Grace, the Duke of Wellington, might consider red hair “unfortunate” and go so far as to shave his son’s eyebrows in an attempt to mitigate some of the unsightly color, but Morag was still
far from the hot drawing rooms of London, and, in Perthshire, Scotland, where she was in the process of settling into her new married life, her hair was considered a thing of beauty.

  Two weeks after her marriage, she was pacing the castle gardens and wondering uneasily if all marriages were like hers.

  Her father, the Laird of Clacharder, had kept her well away from any young men, and his few servants were old. Her sole companion had been her English governess, a gaunt female called Miss Simpson who taught Morag her prunes and prisms and use of the globes and imposed on Morag’s natural, soft, Scottish burr the arctic and glacial tones of the upper-class English. Morag’s mother had died when she was a baby and she had no other female to advise her.

  She had assumed, however, that one day she would make her come-out at the balls and assemblies of Edinburgh like other young females of her class. But her father had other plans. One day he had abruptly told her that she was betrothed to the Earl of Murr. Morag did not consider for a moment disobeying her father, though it all seemed very strange. No dream knight cantered to her rescue across the virginal fields of her mind. After all, a steady diet of sermons and judicious extracts from the Bible was hardly conducive to romance.

  Great clouds tugged across the sky above the battlements of the castle driven by a high wind, but not a breeze whispered over the high walls of the castle gardens where the air was warm and still.

  Morag sat down on a marble bench—feet together, back straight as a ramrod—and stared unseeingly at the riot of color around her: roses, dahlias, lupins, gladioli and fuchsia. Her marriage was not an ordinary one, of that she was becoming increasingly sure. She went over the events of the wedding and after in an effort to clarify her thoughts.

  The bewilderment had started when her father, Angus Grant, had sent Miss Simpson to her on her wedding morn with instructions to “put a few of the facts of life into the lassie’s head.”

  Like marriage, the facts of life had escaped Miss Simpson. She had been born to one of the laird’s father’s tenant farmers. Her father had been proud of his clever daughter and had had her educated at the local school. She had obtained a post as governess to the English Marquess of Devizes and had traveled south to make her fortune. But after having worked for forty years in various titled households, she had found herself too old to find another post in the fickle south, and so she had returned to her native land. The laird had offered her room and board, provided she acted as companion and governess to his daughter, Morag, and she had gratefully accepted, her father being now dead and her brother who had inherited the farm having a shrew of a wife.

  Nonetheless, spinster though she was, she had often overheard strange and disturbing conversations in her sojourn in England. So she tried her best.

  “There are some things, Miss Grant,” said the governess, turning an interesting shade of mottled purple, “that a young girl should know about her wedding night.”

  “Oh,” said Morag, trying to give the governess her full attention while coping with novel feelings of excitement and anticipation. She had never been away from home before. Now she would have a house of her own—and a castle at that.

  “Yes,” went on Miss Simpson, faint but pursuing. “You will share a bed with your lord and he will do things to you that are necessary to beget a child.”

  Now Miss Simpson had Morag’s full blue-eyed attention. “What things?”

  “Things that a young lady does not discuss or even think about,” said Miss Simpson, breathing hard. “You must simply endure whatever happens, close your eyes tightly and think of the king.”

  Miss Simpson avoided Morag’s eyes, staring at some point over the girl’s shoulder. Morag did not know that Miss Simpson had heard several unsavory stories about the earl—that although he had been married before, he had no legitimate heir, only a string of bastards, and that he could only take his pleasures with the lowest of the serving wenches but that a high-bred lady “froze his balls”—an expression which Miss Simpson did not understand, thinking it referred to some heraldic term or something like the ball and sceptre. But deep in her heart, Miss Simpson envied Morag. Who was ever happily married anyway? A husband meant a secure future for a woman. Morag would never know what it meant to be passed from household to household.

  “Age,” said Miss Simpson grimly, tucking a stray strand of gray hair under her starched cap, “must always be honored. Remember what I have said.”

  But Morag merely stroked the satin sheen of her wedding gown and thought of her fine trousseau and forgot, for the moment, everything the governess had said.

  Her lord, the Earl of Murr, indeed looked old when she first saw him, which was in front of the altar, although he seemed like a resplendent figure of a man with his great chest, slim hips and good legs with fine calves. His eyes, which were as blue as Morag’s own, were slightly bulbous and his mouth was loose and wet, but he had a fine head of nut-brown hair.

  Morag had trained herself to enjoy the best of each minute no matter what the circumstances. It was her way of combating the loneliness of her solitary life. So she simply enjoyed the feel of the new clothes against her body, the fine dresses of the wedding guests and the fact that her father, who hardly ever seemed to notice her, was actually shedding sentimental tears.

  The journey from her home among the grim mountains of the Highlands was too uncomfortable and fatiguing to allow for any dalliance, so no attempt at consummating the marriage took place until the night of their arrival at Castle Murr.

  The wedding night was very strange. It was embarrassing to sit propped against the pillows watching her husband being undressed by his valet.

  First the nut-brown hair turned out to be a wig which, once removed, disclosed a nearly bald pate. Then when my lord’s corsets were unlaced, his chest fell to somewhere about his knees and, furthermore, his fine calves were made of wood and came off with his stockings.

  He seemed to be looking forward to his wedding night for he leaped on the bed with a triumphant cry and got to work immediately while Morag lay back, the hem of her nightgown nearly strangling her, and thought of the king. In her mind, nakedness and humiliation seemed destined to go hand in hand. Her thrashings from her father had been administered on her bare buttocks. Her wedding night began to seem like some form of equally stern chastisement, and certainly the earl was old enough to be her father. After an exhausting time, thrashing impotently about on top of her, the earl roared, “I cannae dae a thing wi’ ye, ye cauld bitch. Och, ye mak me sick!”

  And with that, he had heaved himself off her, off the bed and stomped out of the room.

  She had not seen him the next day, but in the evening he had once more joined her in bed with as little success as the night before.

  Although life was becoming much more civilized in this new modern world of the beginning of the nineteenth century, it is probable that under these circumstances the earl would have quietly and quickly disposed of his wife. He could have openly stabbed her to death and never been brought to trial, his servants and tenants depending on him as they did for their livelihood. But fortunately for Morag, he remembered the open envy and admiration of his elderly friends and relatives at the wedding. Somewhere in a corner of his bloated soul was a true appreciation of beauty, so instead of starting off by thrashing Morag in sheer frustration, he took himself down the back stairs and was shortly exploring the buxom charms of the new scullery maid and proving to his satisfaction that he had not grown impotent with age.

  The scullery maid was a willing, clever girl, quick to learn and low enough to suit his taste. Morag did not yet know that thanks to her rival she was to be allowed to sleep alone, keep her virginity and enjoy her title. Fortunately for her, the earl had decided to keep her as an ornament to show his friends—and as a weapon to use against his brother.

  Virginal Morag, sitting among the blaze of flowers in the garden, shook her head over the mysteries of marriage and decided she did not understand anything about them at all. With h
er optimistic nature, she put aside these troublesome thoughts and began to “count her blessings” as Miss Simpson had taught her to do.

  “Firstly,” thought Morag, looking about her, “it is very pretty here. Much prettier than at home.” Home had been a low, square, damp barracks of a place, perched on the side of a mountain, forever dark and forever cold, with smoky peat fires burning in the winter. Despite the presence of the elderly servants, there was always a great deal of sewing and housework to do, not to mention the endless hours of study, her father being unfashionable enough to consider that a female should have a well-informed mind.

  “Secondly, my husband appears to be very rich.” Her own father, she knew, was quite poor, even for one of the Scottish gentry. His living came from sheep farming and his political security from his father’s having changed his religion to Protestant and his allegiance to King George in time to avoid the scourge of the Highlands which had followed Prince Charles Edward Stuart’s abortive rebellion. But at least neither he nor his tenants had been sent to America as slaves, a common enough punishment for Jacobites who had escaped the sword.

  “Thirdly, perhaps I shall be allowed to go to Edinburgh.” Morag did not have many daydreams or fantasies but she did want to see the capital city and look at the shops and see what kind of gowns the fine ladies wore and perhaps talk to young women of her own age.

  The sun shifted slightly and a shadow swept across the grass at her feet. It was time to join her lord for dinner, which was served at three o’clock. He had told her gruffly that he expected her presence.

  She ran lightly into the castle and, mounting to the first floor, entered the small, square, oak-paneled dining room where the earl was seated. He looked up as she entered and she dropped him a low curtsy. She was wearing an old-fashioned round gown of blue wool, but it matched the color of her eyes and her hair burned like a flame in the darkness of the room. The earl privately thought she looked breathtaking but he gave her his customary greeting, “Well, sit yerself down, ye whey-faced bitch.”